You can find out more about the project described in this post by going here:

http://jackwhitsitt.com/installation-and-concept-art/#num1

Repost from artdc.org:

I finished yesterday. For once – despite last minute technicaal glitches – I wasn’t there until the last minute of the last day. Just the last day.

The space is clean, cables hung (although, its still pretty ugly…maybe ill cover it with a box friday at noon), the laptop is DUCT TAPED to the projector for lack of a better solution (it is in the cage bag, so if it comes undone, it wont break), and the projection is mostly in-line with the drawings and frames.

I’m still not sure if it will (and this is important) a) turn on when the show starts or (less important) b) play music. I made a last minute decision to use internet radio instead of mp3’s to avoid broadcast rights issues, but there are some technical hangups with that that I wont get into.

This also means I’m typing this from a $300  tiny Eee PC laptop which will be my only personal home computer until AOM is done.

I do count myself lucky, though. Poor idiolect (rebound design’s bf) lost his HD -the last day of install-. It crashed. He weathered through it gracefully and put an “out of order” sign up. Hopefully the AOM gods will let him come in to fix it off-hours – he did everything right and it’s just pure bad luck that the drive crashed.

It’s been lovely getting to know my fellow AOM-ers (mostly, heh) and I regret being so focused on getting my own shit working that I havent been as chatty or social as Id have liked. Trust me, it’s me not you. I think many people have stepped up this year and I really enjoyed walking around and looking at the art yesterday.

I can’t wait for opening night, meet the artists night, and zombie prom and being more focused on having fun and lss narrow mindedly self-centered about gottagetthisdonegottasgetthisdonegottagetthisdone.

I also adore how my wife’s wall came out. I know Im her husband and all, but Im truly a fan of the pictures  she put up from Vietnam and Cambodia. She is two core walls over from my space, so please check her stuff out.
?
Finally, this year I’ve felt like Ive really been able to come into this and use past artomatic and art outlet experience, take a broad vision, execute it, deal with and change my plan as it starts to flesh out into reality, and still come out of it with a piece that im happy with, still has roots in the original vision, and remains a satisfactory  progression of the rest of my art this past year.

I want to make special thanks to: Lexi, Sherill, Sean, Stephanie, Paivi, Barry, Caitlin, Justin, and Tom – all of whom made specific, repeated, concrete contributions to my art, my sanity, and my ability to get it done this year.

(edit: added lexi…she’s been super helpful. i knew i forgot someone important.)

Pics:

New Year’s Eve at Chronic&Shock’sOriginally uploaded by sintixerr

Eep. The year’s over! That might seem old news (God, we’re already a week into 08), but the sad thing is that to remember what I’ve been doing for the last few months I had to go back to my Flickr stream and -look- at the photographic evidence! Kind of cool…but not?

But before I get into what -has- happened, I’d like to talk about what is and -will- happen. I just spent a lovely evening at the soon-to-be-no-more Dr. Dremo’s in Arlington with a bunch of the Art Outlet volunteers, artists, other board members, and friends.

One of the reasons I was there was to talk about digital art shows and the imminent re-opening of my free space for Washington, DC artists and arts events in Second Life – the SintixErr Gallery. (About which Amanda Hess has written a great article: http://www.washingtoncitypaper.com/display.php?id=34394 )

It looks like Art Outlet (the board of which I chair – at least for one more year!) will be, as a 501c(3) non-profit arts organization in DC, will be sponsoring an entire island in Second Life. My high level goals for the island will be to:

• Provide a place for any DC-based artist to exhibit their work to worldwide audience
• Host mixed-reality events in support of Art Outlet shows
• Provide a central Second Life hosting capability for other DC arts organizations, museums, galleries, etc.
• Allow for additional research into interesting ways to use virtual worlds to aid art through technology and technology through art.

There’s still no -monetary- sponsor for this (and it’s not a done deal till it’s done), but I can front the cost initially and hope through grants, donations, shows, and by way of small fees for other organizations to use the space, the area will support itself and break even.

In addition to the pure Second Life announcement, I’ve also been working on putting together (and participating in) one or more digital arts and technology shows in the DC area. These are still in their infancy, but there are a number of great, dedicated, reliable people working on them and I expect some cool event news to show up here in the next few months.

You can find more info here on what some of the participating artists’ thoughts on technology, culture, and art are in this thread:

http://artdc.org/forum/index.php?topic=7860.msg33345#msg33345

I’ll close out this post with my own thoughts from that thread:

I have two perspectives on technology’s role in culture, as it pertains to my art. First, I’ve always struggled with the concept that there is “technology” and “stuff that isn’t technology”. I never really believed that there was an inherent line there. The only thing that really rings true is Douglas Adams’ quote on the subject. He said something to the effect of “Technology means ’stuff that isn’t quite working right yet’”. Pencils, oil paint, paper, cameras – they’re all technology. They’re absolutely the same thing as computers and any other digital mechanisms for interacting with human senses.

So, my first interest in technology, art, and culture is in the process of cultural integration of new technology into the “stuff that works” category. Things we forget about. I’m interested in the creation of and interaction with art that REFUSES to distinguish between itself and any other “old” tools used to create art. I like to see moving images framed behind museum quality glass hanging from a wall. I enjoy the idea of traditional tools being used as part of the creation of what would otherwise be considered “new technology” art.

Along these lines, I’m also fascinated by the artifical lines and boundaries we (humans) create to keep our perception of the universe coherent. Technology has always helped people do more better faster, but until the advent of science allowing long distance communication between people, our boundaries expanded, but tended to retain the same shapes. As people began to communciate over vast distances, however, our sense of “place” began to erode a little bit. TV accelerated that process, cell phones turned the process into an avalanche, and the internet looks like it might eradicate the bond between place and self altogether in our culture. Not only that, but with the variety of identities we are begining to maintain, our most basic sense of “self” is getting fuzzy. Who are we when we can “be” in multiple places at once. Who are we when we can be physically perceived by others in different ways at the same time? We have IM accounts, blog accounts, we exist (well, some of us ) in virtual worlds, etc. Part of how we perceive and understand who we are ourselves is by how we are reflected back by other people. What happens to us as our reflections become fractured and non-contiguous?

Art, over time, has often been used to explore our relationship – as people – to the universe around us. In my mind, these particular technologically-wrought changes in our culture are acute and our exploration of them as humans is well-served by doing so through art.