It’s been a long week for me (ive actually had to wake up before noon to go to a risk management class…5 hrs is the most sleep ive gotten since last week) and I dont think I’ve been at AOM once.  But! I’ve completed a couple of important steps and now have a concrete plan: I’m going to create a piece that combines my programming, video, theatrical, photographic, and drawing proclivities into a single piece. Alllll of it at once. There will probably even be curtains again for the third year in a row (although this year they serve a specific, utilitarian purpose…see below). Hopefully the overall effect of so much at once will be (as sagworks said elsewhere) mesmerizing (or did she say hypnotic? something like that).

Summary:

I’m going to be creating a homemade projection screen out of black out cloth and something called “Screen Goo”. Screen Goo is supposed to be much better than regular paint for projecting things onto and, considering there is a lot of ambient light during the day, I need the best available.  The screen will be roughly 50 sq feet and will -probably- be framed by molding purchased from Home Depot. On either side and above the screen/frame will be black drapery. This is to darken the area around the screen and focus the eye. I could paint, but I really dont want to (I may have to paint beneath it, though).

Onto the screen will be three framed charcoal drawings (possibly with glass).  Those drawings will have been done from photos I’ve taken (right now I think it’ll be three girls from the Landon House Civil War shoot)….and will be slightly different moods than the original photos….but still proportionally accurate in key areas.

The original photos will be projected onto the framed drawings to make it look like they’re glowing, and to provide a conflicting perception of what mood the girls in the pictures are actually in.  Behind the framed drawings, a moving vividly colors abstract projection will provide the background.  The content of the abstraction will be generated by (via Quartz Composer) a webcam pointed at the audience looking at the piece.  The movement, size, speed, and color of the abstraction will be generated in real time based on whatever music is playing on my laptop at the time (youll be able to hear it).

The reason for the Civil war era-looking dress, b&w vs color, and calm expressions in the pictures Im choosing is that they’re intended to contrast so sharply with the ludicrously noisy background that they’ll somehow form a complement.

The neat thing will be that the framed pictures will look like theyre actually in front of the projection, when they’re not really. They effect is striking when done right.

(For those of you keeping score, this is a combination of plans B and C with some extra decisions on how to handle the area not being projected on)

Where am I in this?

1. I finished the moving (some would say seizure-inducing) abstract webcam/audio visualizer background last night. Some of you have seen this projected, but I wasn’t happy with the effect or it’s ability to keep time with the music.  I’ve since dramatically improved the look, feel, and performance of this and I’m happier with it than Ive been in weeks. The two biggest changes were to swap a rotating cube with 2 2D squares which move around the screen, big bigger and smaller, and rotate on the Z axis. This resulted in significant performance and aesthetic improvements
2. I ordered the Screen Goo. I just got a UPS notification that it was on its way 5 minutes ago. When that arrives, I’ll go to Walmart and pick up a huge blackout drape.  I’ll probably paint the drape with the goo (on the rubbery side) in the street near Artomatic after I move this weekend.
3. I’ve also settled on three black and white photos that I’m going use as the framed  focal points / anchors.  I chose the B&W to contrast with the crazy colors in the projection.  Once I move this weekend, I’ll make the drawings of them in the new apartment. Ill use projections of the photos as the stencils for them since they need to be pretty much 100% proportionally accurate.  Each will take about 3 hours to do.
4. I probably still have the same black drapes I used last year (and I actually still have 1 from 2007), but Ill need to check that next week. I also need to go buy the frames and the molding.  If I have to paint under the projection screen, ill probably use someones leftover paint since it’s not a huge area.
5. I still have to set up and test the “recover nicely from the power being cycled every night”
6. Put the projector on its mount, lock it in place, and get measurements.  If I do the drawings after this, Ill do them AT Artomatic…might be interesting.

So….pineapple.

All in all, Im pretty happy with where I am, but there’s still a lot to do.

Last year I did a super-sized meta self portrait exploring identity and the relationship between technology and art. The year before, I did a Second Life virtual reality installation dealing with similar concepts in a different way and how our concepts of location and identity are gradually becoming more fuzzy.

Originally, I was going to put up my webcam based audio visualizer written with Quartz Composer. I’m still going to be using Quartz, but the content will be completely different.

This year, take a look and you tell me what it’s about. Or not. Or who. I think this year, the name might make the rose. I have some specific points of view I’m coming from, but responsibility for defining other specific parts of the meaning are intentionally being passed on to the viewer.

Look for the video being projected onto a wall near the elevators on the 7th floor:

Floor-7
Area-12
Type-C
Space-1

Artomatic: http://artomatic.org

Also, remember, you can also visit ArtDC.org for current unofficial discussions and updates on Artomatic news, events, participants, etc:

http://artdc.org/forum/index.php?board=37.0

Sweet. Paivi and I went through Artomatic site selection this year successfully! While I’ve participated in the past 2 AOM’s as well, for various reasons this is the first year that I’ve been able to pick my own space.  We really (Paivi in particular) wanted to be on the 7th floor with some of our friends, the main bar, but the process involved Artomatic only opening 2 floors at a time (this year, the floors are 1-9).

Our slot was 1:30pm Saturday and floors 2,3,8, and 9 had been opened. We decided to take advantage of the fact that spaces could be picked -after- your time slot, but not before and so we waited all day Saturday to see if floor 7 would be open. It never did open Saturday, so we had to come back this (Sunday) morning at 9am.  We ended up getting core walls on 7. Everyone was crazy helpful, nice, cheery, and definitely helped get this kicked off on an exciting gear.

The space I picked is just to the left of the elevators on the side opposite of the bar on the 7th floor. You’ll be able to tell what it is quickly and easily because I’ll be using a projector mounted on Sherill Gross and Stephanie Bonifant ’s partition (thank you!!!!) to display art on the wall. It should be easily seen from the elevators.

Other cool kids up there include the wonderful: Caitlin Phillips from Rebound Designs, Sean Welker the Secretworm, and Justin Cameron

The wait Saturday wasn’t a waste of productivity, either! Paivi and I put in a lease application at The Onyx on First. It’s an apartment building just over a block from Artomatic and 2 blocks from the Nationals stadium in the Capital Waterfront district. If all goes well, we’ll be moved in before Artomatic even opens! Here come the after parties and extra volunteer hours! Woot.

More on my art later. It’s going to be moving, projected, dada-esque, sarcastic, and inspired by comments from Paivi Salonen, Barry Schmetter, Jesse Cohen, and others.

Everyone, if you’re in DC any time between May 29 and July 5, come on out and check it out! You’ll have a blast with the Art, the performances, the music, the people, da beer and wine.  Artomatic is just above the Navy Yard Green Line Metro station and if you’re coming to/from a Nats game by Metro, you can’t miss it.

Paivi and I have a number of pictures up at DC9 from November 15 – November 22 as part of PixTour, which is part of Fotoweek. I wasn’t sure what or how many pictures to put up, but when I was talking to the Bill (the owner/manager?) I noticed that the 7 big mirrors provided the only really clear space, so I put 2-3 up per mirror. There are 3 “sets” of mine up – “Picture of a Picture” (suggested by Heather), “Doll Angst” (a set of suicidal blondes), and “Misc” (just a few that seemed to fit together) in the back.

These were my final selections:

http://www.flickr.com/photos/sintixerr/sets/72157608876695189/

Paivi put up some of her BritishInk pics from Artomatic (hers was more last minute than mine since her original venue, Bar Pilar, fell through. Too bad!)

ABOUT:
—
PixTour: a project of FotoWeek DC 2008
Travel the city to check out PIX TOUR.

PixTour, a project of FotoWeek DC 2008, is showing the work of
area photographers at 40 bars, clubs, restaurants, theaters, and
shops around DC. Artist and Place meet and invite you.

PixTour brings art to the people who are out and about.
Take a walk, have a drink and a meal, and see the art of photography in Dupont, Adams Morgan, Columbia Heights, 14th Street, Anacostia and More. PixTour is an informal showing of photography on local walls and windows.

Curators: Molly Ruppert, Heather Goss, Beth Baldwin

PixTour was created as a project for Fotoweek DC 2008 by Molly Ruppert molly@warehousetheater.com and Warehouse.

VENUES:
—

DC9                                            1940 9th St NW
Nellie’s Sports Bar                  900 U St NW
Vegetate                                    1414 9th St NW
Velvet Lounge                           915 U St NW
Dos Gringos                            3116 Mt Pleasant St NW
Gala Theatre                            3333 14th St NW
Red Rocks Pizza                     1036 Park Rd NW
Room 11                                   3234 11th St NW
Sticky Fingers Bakery             1370 Park Rd NW
Wonderland                             1101 Kenyon St NW
Asylum                                       2471 18th St NW
Bedrock Billiards                     1841 Columbia Rd NW
Bossa Bistro Lounge              2463 18th St NW
Chief Ike’s Mambo Room      1725 Columbia Rd NW
Idle Times Book Store            2467 18th St NW
Tryst                                           2459 18th St NW
Caramel                                    1603 U St NW
Lee’s Flowers and Cards      1026 U St NW
Mocha Hut                                 1301 U St NW
Polly’s Cafe                               1342 U St NW
Solly’s u street tavern              1942 11th St NW
Vinoteca                                    1940 11th St NW
Cafe Tropé                                2100 P St NW
DC Café                                     2035 P St NW
Soho Tea and Coffee              2150 P St NW
Stars Bistro                               2120 P St NW
Tangysweet Yougurt  Bar      2029 P St NW
Garden District                         1801 14th St NW
Playbill Café                             1409 14th St NW
Timothy Paul Bedding            1529A 14th St NW
Universal Gear                        1529B  14th St NW
ARCH Training Center            1231 & 1227 Good Hope Rd SE
Baked and Wired                     1052 Thomas Jefferson St NW
Big Bear Café                           1700 First St NW
Mocha Ground                          4706 14th St NW
Warehouse                               1021 7th Street NW

ARTISTS
—

Giamoco Abrusci
Ken Ashton
James Calder
Daniel Cima
Jason Colston
Brett Davis
Thomas Drymon
Elsie Dwyer
Josh Gibson
Steve Goldenberg
Jason Gottlieb
Kyle Gustafson
Justin Harris
Linda Hesh
Justin Hoffmann
Seth  Kaplan
Angela Kayklers
Angela Kleis
Brian Knights
Marie Kwak
Bridget Sue Lambert
Pamela Leahigh
Jeffrey Lear
Martin Locraft
Dale Lowery
Cesar Lujan
Pat Padua
Linda Plaisted
Mark Planisek
Michael Platt
Drew Porterfield
Katy Ray
Bruce Robey
Lisa Rosenstein
Julie Seiwell
Kerri Sheehan
Myrna Smernoff
Matthew Smith
Parikha Solanki Mehta
Paivi Solonan
Michael Starghill
Linda Strating
Sanjay Suchak
Ira Tattelman
Raul Valda
John Thurman
Jack Whitsitt
Pete Van Vleet
Amber Wiley
Ken Wyner

I’ve spammed this particular link everwhere else I can think of, but still neglected to post it here on my blog.

Basically, I was approached a few months ago by a senior editor of Symantec’s online magazine “Norton Today” because they were interested in doing a piece on Art and Security. I was approached because of my old work in security data visualization and the fact that’d I’d started to rework and hang the pieces in art shows like Artomatic and My Space on 7th.

Anyway, the interview went really well (in addition to being a lot of fun) and it’s now online at:

http://nortontoday.symantec.com/features/articles/art_of_security.php

(Edit: This link now appears down after a few months. Symantec has republished the article here: http://www.thegeekweekly.com/feature/turning_computer_vis_into_art/index.html )

They used a few older images in their Flash slideshow (My fault – I didnt get them newer images in time).  These were the originals we used at NetSec to do analysis and which have been in a number of presentations (and were in the batch I sent to ArcSight as examples when they were still developing Interactive Discovery, iirc).

You can find the “art” versions that I’ve hung up in galleries at the following link:

http://sintixerr.wordpress.com/art-versions-of-data-visualizations/

I’m still interested in working more of these, but have been moving from graphing – which was a necessity of the business at the time – into a broader field of ontological information/concept representation in art.

(This is in addition to my media experimentation with / interest in projection. I think Id like to merge these two tracks together in the future, but havent gotten there yet.)

Hey all!

I’m going to be showing some data visualizations at the My Space on 7th art show in Washington, DC starting Friday, July 11 at the Touchstone Gallery! Everyone should come out. I took a look at the space and there’s some interesting work hanging already. (And I have to thank Paige, here, who unintentionally helped me decide what to show…but more on that in a later post.)

Oh. And there will be wine tasting opening night.

There will be three old, but reworked images and one new one created just for this show.  Only one has ever been printed before and they all look pretty fantastic.

The new one consists of two superimposed graphs (a paraplot and a scatterplot) of illegitimate traffic going to/from “jackwhitsitt.com” (that would be, uh, most of it).

The three older ones are:

Destination Port Traffic Volume (global sample)

(Test Data from custom developed SEM correlation  modules)

(Pcap data from 10,000 spam emails)

Just to let everyone know, Rebecca famous (and infamous, I hear) asked Angela and I to help out with moderation of the Artomatic forums on artdc (probably because we’re -always- there gabbing). That’s cool.

She actually said the funniest thing in her email to me:

What I really like best about what you do on the forums is get people to think and interact instead of flame and run. And you both do so with much humor, but with the all important “go fuck yourself” at the ready. We appreciate that.

That’s a compliment, right? Right?

Anyway, there’s a lot of good information about Artomatic and DC art in general on the board, so if you haven’t visited, you should. Becoming a member is free.

Check it out here:

http://artdc.org/forum/index.php?board=37.0

Last night was fantastic. It started off kind of quiet, but even at 6-something, plenty of people were milling about. The number of people there was perfect. Enough to feel well-attended on all 9 floors, but not so many that you couldn’t move around.

Early on, I had a lovely conversation about art, politics, technology, cataloging, and other sundry topics for about 20 minutes with a woman whom I found out later was a friend of Rebecca.

Not many of my most recent “friends” made an appearance, but I did see quite of few of my old and good ones. Justin Marino, for example, and his girlfriend were there. It was funny, but in the time (years?) they’ve been together, this is only the 2nd time I’ve met her and I was wearing the same scary paisley shirt in both cases, heh.

Similarly, another friend – again, Justin-Bryce – came to chat for awhile. Justin and I grew up near to each other in Daytona Beach Florida, met at Duke University during a middle school summer program, and have had many various adventures together. We’ve even worked for the same company here in DC. Twice. His girlfriend is actually on artdc (which I found out last night) as craftpunk….whom Id had suspicions about, but no confirmation

This was the first time Id seen Justin since he became one of only 45+ people since 1950 to cut his esophagus open swallowing a sword.

Throughout the evening, I was entertained and interested in watching people interact with my art and really As more and more people cam by, I started seeing a pattern. Some of them saw the “big” picture. Others just saw the small ones. So, I put some tape down on the floor in the shape of a “1″. Then made a straight line of tape closer to the piece with a “2″. The reaction to the piece was SO much more interactive after I did that and the response improved even further. (Ill post a pic of that Wed of this week.)

Notables:

• A couple didnt want to buy my piece, but asked if I did commission work and enthusiastically repeated (more than once) that they’d be in touch. I doubt they well, but I was happy to have that kind of interest.
• One girl walked up and down my tape line then went to grab 5 other people to bring them and show them the piece from another side of the floor completely.
• One couple spent 5 minutes just talking about it.
• Etc.

The best time, though, was spent with Secret Sean, Kerri, Brad, Erin, Michael, and other artdc’ers. Secret Sean and Kerri, and particular, spent a great deal of time with us. It really made the night.

(Especially on the metro on the way home. Because….thats the way we roll)

We also made a stop at Miss 5 NE C3’s space to see what kind of art she had brought to the table (after she trashed -everyone else’s art- at Artomatic. It’s too bad her attitude was so bad, I would’ve thought better of the art. (Can find the thread here: http://artdc.org/forum/index.php?topic=9112.20)