Category: Business

New Store: My Art For Sale Finally. T-Shirts. Go Figure.

So, on my way to Chicago recently , I managed to lose a shit ton of stuff on the metro: 2 L-series Canon camera lenses, misc cables, and….3 or 4 of my favorite shirts. Eek. So, while the lenses were one issue, I also needed other stuff to wear. On the recommendation of my wife, I actually went to Zazzle to create myself some shirts out of my own art. I like the art and stuff on threadless and red bubble, but the shirt quality left something to be desired. A friend had used Zazzle for his stuff and I really thought the shirts came out well. So, I ordered myself some with my own art.

Wait, hrm. If I’m going to make myself some, why not leave them up for everyone else – just in case? Good idea. So I did, and added a few more. Not all of what I do lends itself to this sort of thing, but I like to think what I put up works well.

You can find the store here on my site: http://jackwhitsitt.com/store/

Or you can go straight to my Zazzle Store (Easier to Use): http://www.zazzle.com/sintixerr

It’s been a fun process making these shirts and other products out of my art. Not only is it actually difficult to figure out which pieces will work on clothing – many of my own favorites do not – but not a single one was “ready to go” out of box to put on a shirt. Each one of them took some editing…many of them some creative editing.

For instance, “Dead Jen” went from an interesting photo to something very graphic:

Before

Before

After

After

This was also my chance to get a lot of my old doodles and sketches into better shape.  “Strained Peace”, for example, was a very old sketch that I only had a 136×200 pixel scan of. I managed to take it to 2400×3500 pixels. Crazy

You also may notice a lot of what I put on the shirts are faces, portraits, and characters. Well, yeah. It’s what I do.

Anyway, more will be going up. Let me know what you think.

Artomatic 2009: My Video Installation – The Plan and Status

It’s been a long week for me (ive actually had to wake up before noon to go to a risk management class…5 hrs is the most sleep ive gotten since last week) and I dont think I’ve been at AOM once.  But! I’ve completed a couple of important steps and now have a concrete plan: I’m going to create a piece that combines my programming, video, theatrical, photographic, and drawing proclivities into a single piece. Alllll of it at once. There will probably even be curtains again for the third year in a row (although this year they serve a specific, utilitarian purpose…see below). Hopefully the overall effect of so much at once will be (as sagworks said elsewhere) mesmerizing (or did she say hypnotic? something like that).

Summary:

I’m going to be creating a homemade projection screen out of black out cloth and something called “Screen Goo”. Screen Goo is supposed to be much better than regular paint for projecting things onto and, considering there is a lot of ambient light during the day, I need the best available.  The screen will be roughly 50 sq feet and will -probably- be framed by molding purchased from Home Depot. On either side and above the screen/frame will be black drapery. This is to darken the area around the screen and focus the eye. I could paint, but I really dont want to (I may have to paint beneath it, though).

Onto the screen will be three framed charcoal drawings (possibly with glass).  Those drawings will have been done from photos I’ve taken (right now I think it’ll be three girls from the Landon House Civil War shoot)….and will be slightly different moods than the original photos….but still proportionally accurate in key areas.

The original photos will be projected onto the framed drawings to make it look like they’re glowing, and to provide a conflicting perception of what mood the girls in the pictures are actually in.  Behind the framed drawings, a moving vividly colors abstract projection will provide the background.  The content of the abstraction will be generated by (via Quartz Composer) a webcam pointed at the audience looking at the piece.  The movement, size, speed, and color of the abstraction will be generated in real time based on whatever music is playing on my laptop at the time (youll be able to hear it).

The reason for the Civil war era-looking dress, b&w vs color, and calm expressions in the pictures Im choosing is that they’re intended to contrast so sharply with the ludicrously noisy background that they’ll somehow form a complement.

The neat thing will be that the framed pictures will look like theyre actually in front of the projection, when they’re not really. They effect is striking when done right.

(For those of you keeping score, this is a combination of plans B and C with some extra decisions on how to handle the area not being projected on)

Where am I in this?

  1. I finished the moving (some would say seizure-inducing) abstract webcam/audio visualizer background last night. Some of you have seen this projected, but I wasn’t happy with the effect or it’s ability to keep time with the music.  I’ve since dramatically improved the look, feel, and performance of this and I’m happier with it than Ive been in weeks. The two biggest changes were to swap a rotating cube with 2 2D squares which move around the screen, big bigger and smaller, and rotate on the Z axis. This resulted in significant performance and aesthetic improvements
  2. I ordered the Screen Goo. I just got a UPS notification that it was on its way 5 minutes ago. When that arrives, I’ll go to Walmart and pick up a huge blackout drape.  I’ll probably paint the drape with the goo (on the rubbery side) in the street near Artomatic after I move this weekend.
  3. I’ve also settled on three black and white photos that I’m going use as the framed  focal points / anchors.  I chose the B&W to contrast with the crazy colors in the projection.  Once I move this weekend, I’ll make the drawings of them in the new apartment. Ill use projections of the photos as the stencils for them since they need to be pretty much 100% proportionally accurate.  Each will take about 3 hours to do.
  4. I probably still have the same black drapes I used last year (and I actually still have 1 from 2007), but Ill need to check that next week. I also need to go buy the frames and the molding.  If I have to paint under the projection screen, ill probably use someones leftover paint since it’s not a huge area.
  5. I still have to set up and test the “recover nicely from the power being cycled every night”
  6. Put the projector on its mount, lock it in place, and get measurements.  If I do the drawings after this, Ill do them AT Artomatic…might be interesting.

So….pineapple.

All in all, Im pretty happy with where I am, but there’s still a lot to do.

What am I doing at Artomatic this year?

Last year I did a super-sized meta self portrait exploring identity and the relationship between technology and art. The year before, I did a Second Life virtual reality installation dealing with similar concepts in a different way and how our concepts of location and identity are gradually becoming more fuzzy.

Originally, I was going to put up my webcam based audio visualizer written with Quartz Composer. I’m still going to be using Quartz, but the content will be completely different.

This year, take a look and you tell me what it’s about. Or not. Or who. I think this year, the name might make the rose. I have some specific points of view I’m coming from, but responsibility for defining other specific parts of the meaning are intentionally being passed on to the viewer.

Look for the video being projected onto a wall near the elevators on the 7th floor:

Floor-7
Area-12
Type-C
Space-1

Artomatic: http://artomatic.org

Also, remember, you can also visit ArtDC.org for current unofficial discussions and updates on Artomatic news, events, participants, etc:

http://artdc.org/forum/index.php?board=37.0

Artomatic 2009 Site Selection Done and a Move!

Sweet. Paivi and I went through Artomatic site selection this year successfully! While I’ve participated in the past 2 AOM’s as well, for various reasons this is the first year that I’ve been able to pick my own space.  We really (Paivi in particular) wanted to be on the 7th floor with some of our friends, the main bar, but the process involved Artomatic only opening 2 floors at a time (this year, the floors are 1-9).

Our slot was 1:30pm Saturday and floors 2,3,8, and 9 had been opened. We decided to take advantage of the fact that spaces could be picked -after- your time slot, but not before and so we waited all day Saturday to see if floor 7 would be open. It never did open Saturday, so we had to come back this (Sunday) morning at 9am.  We ended up getting core walls on 7. Everyone was crazy helpful, nice, cheery, and definitely helped get this kicked off on an exciting gear.

The space I picked is just to the left of the elevators on the side opposite of the bar on the 7th floor. You’ll be able to tell what it is quickly and easily because I’ll be using a projector mounted on Sherill Gross and Stephanie Bonifant ‘s partition (thank you!!!!) to display art on the wall. It should be easily seen from the elevators.

Other cool kids up there include the wonderful: Caitlin Phillips from Rebound Designs, Sean Welker the Secretworm, and Justin Cameron

The wait Saturday wasn’t a waste of productivity, either! Paivi and I put in a lease application at The Onyx on First. It’s an apartment building just over a block from Artomatic and 2 blocks from the Nationals stadium in the Capital Waterfront district. If all goes well, we’ll be moved in before Artomatic even opens! Here come the after parties and extra volunteer hours! Woot. :)

More on my art later. It’s going to be moving, projected, dada-esque, sarcastic, and inspired by comments from Paivi Salonen, Barry Schmetter, Jesse Cohen, and others.

Everyone, if you’re in DC any time between May 29 and July 5, come on out and check it out! You’ll have a blast with the Art, the performances, the music, the people, da beer and wine.  Artomatic is just above the Navy Yard Green Line Metro station and if you’re coming to/from a Nats game by Metro, you can’t miss it.

Retrospective Previews and More Art in Second Life

Eep. The year’s over! That might seem old news (God, we’re already a week into 08), but the sad thing is that to remember what I’ve been doing for the last few months I had to go back to my Flickr stream and -look- at the photographic evidence! Kind of cool…but not?

But before I get into what -has- happened, I’d like to talk about what is and -will- happen. I just spent a lovely evening at the soon-to-be-no-more Dr. Dremo’s in Arlington with a bunch of the Art Outlet volunteers, artists, other board members, and friends.

One of the reasons I was there was to talk about digital art shows and the imminent re-opening of my free space for Washington, DC artists and arts events in Second Life – the SintixErr Gallery. (About which Amanda Hess has written a great article: http://www.washingtoncitypaper.com/display.php?id=34394 )

It looks like Art Outlet (the board of which I chair – at least for one more year!) will be, as a 501c(3) non-profit arts organization in DC, will be sponsoring an entire island in Second Life. My high level goals for the island will be to:

  • Provide a place for any DC-based artist to exhibit their work to worldwide audience
  • Host mixed-reality events in support of Art Outlet shows
  • Provide a central Second Life hosting capability for other DC arts organizations, museums, galleries, etc.
  • Allow for additional research into interesting ways to use virtual worlds to aid art through technology and technology through art.

There’s still no -monetary- sponsor for this (and it’s not a done deal till it’s done), but I can front the cost initially and hope through grants, donations, shows, and by way of small fees for other organizations to use the space, the area will support itself and break even.

In addition to the pure Second Life announcement, I’ve also been working on putting together (and participating in) one or more digital arts and technology shows in the DC area. These are still in their infancy, but there are a number of great, dedicated, reliable people working on them and I expect some cool event news to show up here in the next few months.

You can find more info here on what some of the participating artists’ thoughts on technology, culture, and art are in this thread:

http://artdc.org/forum/index.php?topic=7860.msg33345#msg33345

I’ll close out this post with my own thoughts from that thread:

I have two perspectives on technology’s role in culture, as it pertains to my art. First, I’ve always struggled with the concept that there is “technology” and “stuff that isn’t technology”. I never really believed that there was an inherent line there. The only thing that really rings true is Douglas Adams’ quote on the subject. He said something to the effect of “Technology means ‘stuff that isn’t quite working right yet’”. Pencils, oil paint, paper, cameras – they’re all technology. They’re absolutely the same thing as computers and any other digital mechanisms for interacting with human senses.

So, my first interest in technology, art, and culture is in the process of cultural integration of new technology into the “stuff that works” category. Things we forget about. I’m interested in the creation of and interaction with art that REFUSES to distinguish between itself and any other “old” tools used to create art. I like to see moving images framed behind museum quality glass hanging from a wall. I enjoy the idea of traditional tools being used as part of the creation of what would otherwise be considered “new technology” art.

Along these lines, I’m also fascinated by the artifical lines and boundaries we (humans) create to keep our perception of the universe coherent. Technology has always helped people do more better faster, but until the advent of science allowing long distance communication between people, our boundaries expanded, but tended to retain the same shapes. As people began to communciate over vast distances, however, our sense of “place” began to erode a little bit. TV accelerated that process, cell phones turned the process into an avalanche, and the internet looks like it might eradicate the bond between place and self altogether in our culture. Not only that, but with the variety of identities we are begining to maintain, our most basic sense of “self” is getting fuzzy. Who are we when we can “be” in multiple places at once. Who are we when we can be physically perceived by others in different ways at the same time? We have IM accounts, blog accounts, we exist (well, some of us ) in virtual worlds, etc. Part of how we perceive and understand who we are ourselves is by how we are reflected back by other people. What happens to us as our reflections become fractured and non-contiguous?

Art, over time, has often been used to explore our relationship – as people – to the universe around us. In my mind, these particular technologically-wrought changes in our culture are acute and our exploration of them as humans is well-served by doing so through art.

Photos Chosen for DCist

Ok, it’s getting late and I’ve been working on Ofrenda stuff all night and the real job all day, but I just wanted to let you all know that DCist has chosen these two photos of mine from their Flickr pool to use in the past three days! That’s outstanding :) I’m really psyched about that. I am, though, still curious how they make those kinds of decisions. Do they pour through them all looking for the “best” (on it’s own merits) photo to fit their purposes, or just the first “good” one that will do?

They can be found on DCist: HERE and HERE

Ofrenda: Art for the Dead : Official Information

ofrenda_artists.jpg

Image Artists (top left to bottom right):
Video Installation by Angela Kleis, Paivi Salonen and Jack Whitsitt,
Mixed Media Sculpture by Gabriel Kulka,
Gelatin Silver Print by Vickie Fruehauf.

Come party Day of the Dead style, with art, workshops, altars, music, spoken word, dancing, marigolds and the souls of the departed when the Art Outlet presents “Ofrenda: Art for the Dead” from 3 p.m. to midnight on Saturday, October 13.

Bring an offering to our two artist-designed altars. Come dressed Day of the Dead style, design a sugar skull, and enjoy the art and music.

Artists:

Zulma Aguiar, Michael Auger, Joshua Barlow, Jennifer Beinhacker, Alison Christ, Andrea Collins, Rosemary Feit Covey, Jared Davis, Roni Freeman, Jenny Freestone, Vickie Fruehauf, Susan Gardiner, Angela Kleis, Gabriel Kulka, Emily Liddle, Rob Lindsay, Bono Mitchell, Thomas Paradis, Marina Reiter, Paivi Salonen, Marina Starkova, Henrik Sundqvist, Jack Whitsitt

Schedule:
Day of the Dead Workshop: Sugar Skulls 3 – 5 p.m.
Mariachi Band 5 – 6 p.m.
Film Screening by Zulma Aguiar 6:15 – 6:30 p.m.
(Humanitarian Water – a short film about US/Mexican border issues.)
Mud Pie 6:30 – 7:30 p.m.
Flo Anito 8 – 9 p.m.
Special Guest Appearance by Inspyra 10:30 pm
(Founder of Capital Fire Arts)
Yoko K. 10 p.m. – Midnight
Location:
2925 Wilson Blvd
Arlington, VA 22201
(Right next Mexicali Blues Restaurant & Bar)

Directions:
By Metro: Take the orange line and exit at the Clarendon Metro stop. Walk down 1 1/2
blocks on Wilson Boulevard. “Ofrenda – Art for the Dead” will be on your left.
By Car: Park in the garage at the corner of Highland Street and Wilson Boulevard. It’s free on weekends.

 

Another upcoming show you should check out…

Erin Antognoli – a photographer whos work I really enjoy and who showed in my SintixErr Second Life Gallery – will be having a solo show in DC opening November 3 at 6:30pm. Check it out if you can!

More info: http://upcoming.yahoo.com/event/283118/

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